Year 9 Cambridge Drama: Vocabulary & Terminology Memorisation Guide | Year 9 剑桥戏剧：词汇术语速记指南

📚 Year 9 Cambridge Drama: Vocabulary & Terminology Memorisation Guide | Year 9 剑桥戏剧：词汇术语速记指南

Mastering drama terminology is essential for Year 9 Cambridge students to excel in both practical explorations and written evaluations. This guide organises key terms into clear categories, each with a concise English explanation and a matching Chinese translation to help you memorise them quickly. Use the paired explanations to build your drama vocabulary with confidence.

掌握戏剧术语是 Year 9 剑桥课程学生在实践探索和书面评估中脱颖而出的关键。本指南将关键术语分门别类，每个术语都配有简洁的英文解释和对应的中文翻译，帮助你快速记忆。通过配套解释自信地搭建你的戏剧词汇库。

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1. Stage Configurations & Positions | 舞台布局与方位

Proscenium Arch: The architectural frame that separates the stage from the auditorium, creating a “picture-frame” effect. The audience sits on one side facing the stage directly, observing the action through an invisible “fourth wall”.

镜框式舞台：将舞台与观众席分隔开的建筑框架，形成一种“画框”效果。观众坐在舞台正对面，透过一堵无形的“第四面墙”观看演出。

Thrust Stage: A stage that extends into the auditorium so that the audience is seated on three sides. This arrangement allows for more intimate actor-audience interaction and often requires actors to turn to engage all viewers.

伸出式舞台：舞台延伸至观众席中，观众坐在三面观看。这种布局能带来更亲密的演员与观众互动，演员常常需要转身照顾到三个方向的观众。

In-the-round (Arena): A stage completely surrounded by the audience on all sides. Entrances and exits must pass through audience gangways, and set pieces cannot block sightlines.

环形舞台（圆形剧场）：舞台完全被观众四面环绕。上下场通道必须经过观众席走道，布景不能遮挡任何角度的视线。

Traverse Stage: A long central acting area with audiences seated on two opposite sides, much like a fashion runway. This format can make scenes feel confrontational or ceremonial.

穿行式舞台：一条长长的中央表演区，观众分坐两侧，类似时装秀T台。这种形式能让场景产生对峙感或仪式感。

Upstage: The area of the stage furthest from the audience. Historically stages were raked (slanted upwards away from the audience), so moving away was literally moving up.

后舞台：舞台离观众最远的区域。历史上舞台是倾斜的（远离观众方向向上倾斜），因此往后走就是在“向上走”。

Downstage: The area closest to the audience. On a raked stage it was the lowest point, hence “down”. It carries the most visual weight and is often used for intimate moments.

前舞台：最靠近观众的区域。在倾斜舞台上这是最低点，因此叫“down”。前舞台视觉分量最重，常用于亲密时刻。

Stage Left / Stage Right: Directions given from the performer’s perspective while facing the audience. Stage left is the actor’s left-hand side; stage right is the actor’s right-hand side.

舞台左侧 / 右侧：以演员面向观众时的方位为准。舞台左侧是演员自身的左手边，舞台右侧是演员自身的右手边。

Centre Stage: The middle area of the acting space, often used for moments of high importance or focus.

中心舞台：表演空间的正中央区域，常用于最高潮或最需聚焦的时刻。

Memory tip: Think “down” = near, “up” = far; stage left/right always from the actor’s viewpoint, not yours. Imagine a big red arrow painted on the floor pointing towards the audience — that arrow points downstage.

记忆贴士： 想一下 “down” 是靠近观众，“up” 是远离观众；舞台左右永远是从演员角度出发的。想象地板上画着一个指向观众的大红箭头，那个箭头就指向前舞台。

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2. Vocal Skills | 声音技巧

Pitch: How high or low the voice sounds. A higher pitch can suggest youth, panic, or excitement; a lower pitch often conveys authority or menace.

音高：声音听起来的高或低。较高音高可以暗示年轻、慌乱或兴奋；较低音高则常传递权威或威胁。

Pace: The speed at which lines are delivered. Rapid pace can show urgency, nervousness or excitement; a slow pace might indicate thoughtfulness, sadness or importance.

语速：台词表达的快慢。快语速能表现急迫、紧张或激动；慢语速可能暗示沉思、悲伤或严肃。

Volume: Loudness or softness of the voice. A sudden drop can create intimacy; a shout can startle the audience or illustrate anger.

音量：声音的响度或轻柔。声音突然变轻能营造亲密感；一声大喊能惊吓观众或表现愤怒。

Tone: The emotional quality carried in the voice. The same line spoken with a warm tone or a sarcastic tone can completely change the meaning.

语气：声音所承载的情感色彩。同一句台词用温暖语气或讽刺语气说出来，意思全然不同。

Projection: The ability to fill the performance space with the voice without shouting. It relies on breath support and clear articulation so that every audience member hears clearly.

声音投射：不用喊叫而能将声音传遍整个表演空间的能力。依靠气息支撑和清晰吐字，确保每一位观众都能听清。

Articulation: The crispness and clarity with which you pronounce consonant sounds and words. Good articulation prevents dialogue from becoming muddy.

吐字清晰度：发辅音和词语时的清脆与清晰程度。良好的吐字可以避免台词变得含混不清。

Emphasis (Stress): Placing extra vocal weight on a particular word or syllable to draw the audience’s attention to its significance.

强调（重音）：对某个词语或音节施加额外的声音分量，以吸引观众对其重要性的关注。

Accent: A distinctive way of pronouncing words associated with a particular region or social group. Used to establish character background.

口音：与特定地域或社会群体相关联的独特发音方式，用于确立角色背景。

Pause: A deliberate break in speaking. Pauses can create tension, indicate thought processes or give the audience time to react.

停顿：说话中有意的中断。停顿可以制造紧张感、暗示思考过程或给观众反应的时间。

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3. Physical Skills | 形体技巧

Gesture: A movement of part of the body, especially the hands or arms, to express an idea or meaning. A thumbs-up, a wave or a clenched fist all communicate instantly.

手势：身体局部，尤其是手或手臂的动作，用以表达想法或含义。竖拇指、挥手或握拳都能立即传达信息。

Posture: The way a character holds their body when standing or sitting. Slumped shoulders can suggest defeat or tiredness; a rigid spine might show discipline or tension.

体态：角色站立或坐立时保持身体的方式。耷拉的肩膀可能暗示挫败或疲倦；僵直的脊背则可能表现纪律性或紧张。

Facial Expression: Use of the eyebrows, eyes, mouth and overall facial muscles to reveal emotion. Even a slight narrowing of the eyes can alter the scene’s meaning entirely.

面部表情：运用眉毛、眼睛、嘴巴和整个面部肌肉来揭示情绪。即便是轻微眯眼也能完全改变场景的含义。

Body Language: The non-verbal signals communicated through posture, movement, and the position of the body in space. Crossed arms can signal defensiveness; open palms suggest honesty.

肢体语言：通过体态、动作以及身体在空间中的位置所传达的非语言信号。双臂交叉可能表示防御，摊开手掌则暗示坦诚。

Mime: Stylised movement that tells a story or depicts an object without words. Precise, exaggerated gestures replace speech entirely.

默剧动作：无需语言而用风格化的动作讲故事或描绘物体的方式。精确而夸张的手势完全替代了说话。

Gait: A character’s distinctive manner of walking. A shuffle, a strut or a limp instantly conjures age, attitude or physical condition.

步态：角色独特的走路方式。拖着脚走、趾高气扬地走或一瘸一拐，都能瞬间塑造出年龄、态度或身体状况。

Proxemics: The use of space between performers. Close proximity can mean intimacy or threat; distance can suggest alienation or formality. Think of an invisible bubble around each character.

空间关系学：表演者之间空间距离的运用。距离近可能意味着亲密或威胁；距离远可能暗示疏离或正式。想象每个角色周围都有一个看不见的气泡。

Eye Contact (or Gaze): Where a performer directs their eyes. Sustained eye contact can be confrontational; avoiding it can show guilt or fear. In drama, eye contact can be with other characters or with the audience.

眼神接触（或凝视）：表演者将目光投向何处。持续的眼神接触可能有对抗性；回避目光则可能表现内疚或恐惧。戏剧中眼神接触可以是角色之间，也可以面向观众。

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4. Characterisation & Role | 角色塑造与演绎

Motivation: The reason behind a character’s actions. A strong motivation makes behaviour believable, even if extreme. Ask yourself: what does my character want in this moment?

动机：角色行为背后的原因。强烈的动机会使行为可信，即使很极端。问自己：此刻我的角色想要什么？

Objective: What a character is actively trying to achieve in a scene or throughout the play. An objective can be as simple as “to get a glass of water” or as deep as “to win forgiveness”.

目标：角色在一场戏或全剧中正努力实现的事情。目标可以简单如“拿到一杯水”，也可以深刻如“获得原谅”。

Given Circumstances: The who, what, when, where, and why of a character’s situation, as provided by the script. These facts shape how the character thinks and behaves.

规定情境：剧本所提供的人物是谁、发生了什么、何时、何地以及为何发生。这些事实塑造了角色的思维与行为方式。

Status: A character’s perceived level of power or authority in relation to others. High-status characters may use still, controlled gestures; low-status ones might fidget or take up less space.

地位：角色在与他人的关系中可感知的权力或权威等级。高地位角色可能使用静止、克制的手势；低地位角色可能坐立不安或占用较少空间。

Subtext: The underlying meaning beneath the spoken words. What a character says might be polite, but the subtext could reveal jealousy or anger through tone and body language.

潜台词：台词之下隐藏的含义。角色说的话可能彬彬有礼，但通过语气和肢体语言透露的潜台词却可能是嫉妒或愤怒。

Hot-seating: A rehearsal technique where a performer sits in character and answers questions from the director or fellow actors to deepen understanding of the role.

坐针毡（即兴盘问）：一种排练技巧，演员以角色的身份坐在椅子上，回答导演或其他演员提出的问题，以加深对角色的理解。

Role on the Wall: An outline of a figure drawn on paper. Notes are written inside the outline about the character’s inner thoughts and feelings, and outside about what others perceive.

墙上角色：在纸上画出一个人形轮廓。轮廓内部写下角色的内心想法与感受，外部写下他人对该角色的看法。

Through-line: The continuous chain of objectives that connects a character’s journey from beginning to end. It ensures a performance has coherence and drive.

角色贯穿线：贯穿角色从始至终旅程的一系列连续目标的链条。它确保表演具有连贯性和推动力。

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5. Lighting Terminology | 灯光术语

Lantern: The general term for a theatrical light unit. Different lanterns produce different beams and effects.

灯具：剧场灯光设备的统称。不同灯具能产生不同的光束和效果。

Fresnel (pronounced “fre-nell”): A lantern that produces a soft-edged beam of light, often used for general washes. The edge of the light blends gently into shadows.

菲涅耳灯：产生柔和边缘光束的灯具，常用于铺光。光线边缘与阴影的过渡很自然。

Profile Spot: A lantern that throws a hard-edged, clearly defined beam. It can shape light precisely, project patterns (gobos) and is ideal for tight specials.

轮廓聚光灯：投射出边缘硬朗、轮廓分明光束的灯具。它能精确塑形光线、投射图案（遮光片），非常适合紧凑的定点光。

Floodlight (Flood): A lantern that bathes a large area in soft, unfocused light. Good for general illumination or cyclorama lighting.

泛光灯：用柔和的散光覆盖大面积区域的灯具。适合基本照明或天幕打光。

Gel: A heat-resistant coloured filter placed in front of a lantern to change the colour of the light beam. For example, a blue gel creates cool moonlight.

色纸（灯凝胶）：放置在灯具前耐高温的彩色滤片，用以改变光束颜色。例如蓝凝胶能营造冷色的月光。

Gobo: A thin metal or glass stencil inserted into a profile spot to project a pattern, such as leaves, windows or abstract textures, onto the stage.

遮光片（图案片）：插入聚光灯中的薄金属或玻璃模板，能将图案（如树叶、窗户或抽象纹理）投射到舞台上。

Blackout: A sudden snap of the stage into complete darkness. Often used at the end of a powerful moment or to transition scenes.

暗场：舞台瞬间全部变黑。常用于强烈时刻的结尾或场景转换。

Fade: A gradual increase (fade up) or decrease (fade down) of light intensity. Fades can control the emotional pace of a transition.

渐明 / 渐暗：灯光强度逐渐升高（渐明）或降低（渐暗）。通过淡入淡出可以控制情绪转换的节奏。

Cross-fade: A lighting change where one state fades out as another fades in simultaneously, allowing a seamless shift in mood or location.

交叉渐变：一种灯光变化，一个光效淡出的同时另一个光效淡入，实现气氛或地点无缝转换。

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6. Sound Terminology | 音效术语

Cue: A pre-arranged signal for a technician to execute a lighting or sound change. In sound, it is also the actual piece of audio played at that moment.

提示（Cue）：预先安排好的信号，提示技术人员执行灯光或音效变化。在音效中，也指在该时刻播放的具体音频片段。

Diegetic Sound: Sound that originates from within the world of the play and can be heard by the characters. For example, a radio playing on stage, a doorbell or footsteps.

剧情内音效：源自戏剧世界内部、角色也能听到的声音。例如舞台上播放的收音机、门铃或脚步声。

Non-diegetic Sound: Sound added for the audience’s benefit that characters on stage cannot hear. This includes background music, ominous tones, or a narrator’s voice-over.

剧情外音效：为观众添加但舞台角色听不到的声音。例如背景音乐、不祥的底音或叙述者的画外音。

Soundscape: A layered collage of sounds that establishes a specific environment or atmosphere, such as a busy marketplace with chatter, footsteps and distant traffic.

音景：多重声音叠加的拼贴，用于营造特定环境或氛围，比如有聊天声、脚步声和远处交通声的热闹市场。

Underscore: Music or atmospheric sound played quietly beneath dialogue or action to reinforce the emotional tone without distracting from the words.

配乐底音：在对话或动作之下轻柔播放的音乐或氛围声，用以强化情感基调而不干扰台词。

Foley: The recreation of everyday sound effects in a studio, timed precisely to action. Examples: crunching celery for breaking bones, shaking metal sheets for thunder.

拟音：在录音棚中精确配合动作重新制作的日常声效。例如用碾碎芹菜声模拟骨折，摇晃铁皮模拟雷声。

SFX (Sound Effects): Any artificially created or enhanced sound used in a performance. Can be recorded or created live on stage.

音效：表演中使用的人工创造或增强的声音。可以预先录制或在舞台上现场制造。

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7. Set, Props & Costume | 布景、道具与服装

Set (Scenery): The physical environment constructed on stage where the action takes place. It can be realistic, minimal or symbolic depending on the director’s concept.

布景：舞台上搭建的、剧情发生的实体环境。根据导演构思，可以是写实的、极简的或象征性的。

Props (Properties): Objects handled by actors on stage. A prop can be a “hand prop” (carried by an actor, like a book) or a “set prop” (furniture like a throne).

道具：演员在舞台上摆弄的物品。道具可以是“手持道具”（演员随身携带，如一本书）或“陈设道具”（如家具王座）。

Costume: The clothing worn by actors to represent character, period, social status and even mood. Colour, texture and fit all communicate essential information to the audience.

服装：演员所穿的衣物，用以体现角色、时代、社会地位甚至情绪。颜色、质地和剪裁都能向观众传递重要信息。

Make-up: Products applied to the face and body to exaggerate features under strong lights, create age, or transform into fantastical creatures. Stage make-up is often heavier and more defined than daily cosmetics.

化妆：涂抹于面部和身体的产品，用于在强光下突出特征、表现年龄或变成奇幻生物。舞台化妆通常比日常妆容更浓重、轮廓更清晰。

Cyclorama (Cyc): A large, often curved, plain backdrop at the rear of the stage. It can be lit with coloured washes to represent sky, mood or abstraction.

天幕：舞台后方的大型、常为弧形的素色背景幕。可以通过彩色铺光来表现天空、情绪或抽象意境。

Flats: Lightweight wooden frames covered with canvas or plywood, painted to look like walls, doorways or other scenic elements.

Published by TutorHao | Year 9 戏剧 Revision Series | aleveler.com

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