Year 7 CIE Drama: Quick Vocabulary and Terminology Memorisation Guide | Year 7 CIE 戏剧：词汇术语速记指南

📚 Year 7 CIE Drama: Quick Vocabulary and Terminology Memorisation Guide | Year 7 CIE 戏剧：词汇术语速记指南

Welcome to your quick-study guide for Year 7 CIE Drama! Mastering the key vocabulary and terminology is essential for analysing performances, developing your own work, and acing your assessments. This guide is designed to help you memorise these terms efficiently, with clear definitions, practical examples, and clever memory tricks. Let’s dive into the language of the stage!

欢迎来到 Year 7 CIE 戏剧的快速学习指南！掌握关键词汇和术语对于分析表演、发展自己的作品以及在评估中脱颖而出至关重要。本指南旨在帮助你高效记忆这些术语，提供清晰的定义、实用的例子和巧妙的记忆技巧。让我们一起进入舞台语言的世界吧！

1. Stage Directions & Spatial Awareness | 舞台方位与空间感知

Stage directions are written from the actor’s perspective. When you stand on stage facing the audience, stage right is to your right, and stage left is to your left. Upstage refers to the area towards the back of the stage, and downstage is the part closest to the audience. Centre stage is the middle spot where focus is strongest.

舞台指示是从演员的视角来写的。当你站在舞台上面对观众时，舞台右侧就是你的右手边，舞台左侧就是你的左手边。后台是指向舞台后方的区域，而前台是离观众最近的部分。台中央是焦点最强的中间位置。

Memory aid: Imagine a raked (sloped) stage from history – upstage was literally higher. Think ‘up’ = away from audience. Also, notice that ‘stage left’ and ‘stage right’ are the actor’s own left and right. It helps to practise by standing and pointing. Another key term is wings: the offstage areas on the left and right where actors wait.

记忆法：想象一下历史上倾斜的舞台——后台实际上更高。记住“上”= 远离观众。还要注意，“舞台左”和“舞台右”是演员自身的左右。站起来指一指有助于练习。另一个关键术语是侧翼：演员等候的左右台外区域。

Body positions also matter: full front means facing the audience directly, profile means turned to the side, three-quarter turn is halfway between front and profile, and back to audience can be used for specific effects. Know these to discuss staging.

身体朝向也很重要：全正面是指正对观众，侧面是指转向一边，四分之三转向介于正面和侧面之间，而背对观众可用于特定的效果。了解这些以便讨论舞台布局。

2. Character and Role Terms | 角色与人物术语

The protagonist is the main character of the story, often the one the audience roots for. The antagonist is the character or force that opposes the protagonist, creating conflict. Understanding these helps you analyse relationships on stage.

主角是故事的主要人物，通常是观众支持的一方。对手是与主角对立的角色或力量，制造了冲突。理解这些有助于你分析舞台上的关系。

Characterisation is the process of creating a believable character through voice, movement, and thought. Motivation is the reason behind a character’s actions – what they want in a scene. A useful tool is the role-on-the-wall technique: drawing an outline of a figure and writing inner thoughts inside and outside facts around it.

人物塑造是通过声音、动作和思考来创造一个可信的角色的过程。动机是角色行动背后的原因——他们在某一场戏中想要什么。一个有用的工具是墙上角色技巧：画一个人物轮廓，在里面写下内心想法，在外面写下外部特征。

Also important is multi-roling, where one actor plays more than one character, often by changing voice and posture. This is common in ensemble work.

同样重要的是多角色扮演，即一位演员扮演多个角色，通常通过改变声音和姿势来实现。这在集体创作中很常见。

3. Performance Techniques | 表演技巧

Blocking refers to the precise movement and positioning of actors on stage, planned by the director. It ensures that scenes flow smoothly and the audience’s focus is directed. Blocking includes entrances, exits, and crosses.

舞台走位指的是由导演规划的演员在舞台上的精确移动和定位。它确保场景流畅，并且观众的注意力被引导。走位包括上场、下场和交叉移动。

A tableau (or freeze frame) is a still image created by actors using their bodies to tell a story moment. It is like a photograph that captures key emotions and relationships. Thought-tracking reveals the inner thoughts of a character at a specific moment, often spoken aloud while the tableau is held.

静态画面（或定格）是演员用身体创作的静止图像，用来讲述故事的一个瞬间。它就像一张照片，捕捉关键的情感和

Published by TutorHao | Year 7 戏剧 Revision Series | aleveler.com

更多咨询请联系16621398022（同微信）